On the website https://soundcloud.com/markotadik/sets/13-pieces-for-prvomajska one can listen to the sound installation by artists Marko Tadić and Miro Manojlović “Concrète machines: 13 pieces for Prvomajska”. These sound pieces have been used at the exhibition in the framework of The Second Biennale of Industrial Art in Istria under the title “On the Shoulders of Fallen Giants.” The installation was placed in the cinema hall in Raša, a small mining town, known as the youngest town in Istria: it was built in 1936 and 1937 to be home of miners and their families. The mines were closed only 30 years later, and the town is today just a monument to mining life and labor. The cinema hall also lost its function – its interior is emptied of seats and void of function. It is just one among many empty, ruining buildings in this town, built by Italians during their administration in Istria. The town that was carefully conceptualized to cater the needs of its inhabitants, for a long time already stands still, bond with the past, as a monument to a bygone era, and as a ruin of the imagination of the future that industrialization used to embody.
The online discussion was hosted by Samuel Araujo and several ethnomusicological organizations in Brazil (Ethnomusicology Laboratory and Musiculture Group – Tide, UFRJ, UFPA Ethnomusicology Laboratory composed of the Studies Group on Music in Pará, Research Group on Music and Identity in the Amazon, both from UFPA, and the Studies Group of Music in the Amazon, from UEPA).
A couple of years ago I was browsing YouTube videos when a video popped of a 1941 recording of an old Slovenian choir song Lipa zelenela je (“The linden tree grows green”). I knew the song only too well. It was a ubiquitous sonic feature of my growing up in the socialist Slovenia/Yugoslavia, part of choir repertoires, and a popular funeral song (as it is today). Hence it was generally disliked at the time by myself and my peers, and also became a matter of pop musical reinterpretations. Lačni Franz, for example, took the title and ironicised the funeral motive in his reinterpretation of the song. However, I hardly knew anything about the 1941 recording that, found on YT about 75 years later, shows two images, one of a map of occupied Slovenia during the Second World War (1941–1945) and another of Ljubljana under fascist occupation (1941–1943).
Lipa zelenela je. 1941 performance. Source.
SIEF Working Group BASE: Bodies, Affects, Senses and Emotions
3rd workshop in Ljubljana, Slovenia, 4 and 5 June 2020
Between October 14 and 16, 2019, Rajko Muršič gave a short block of lectures on Affective and Political Dimensions of Yugoslav Popular Music. The lectures were organised in the frame of the joint degree programme Creole: Cultural Differences and Transnational Processes at the Institute for Social Anthropology, University of Bern (Universität Bern, Philosophisch-historische Fakultät, Institut für Socialanthropologie).
Ana Hofman will hold a lecture at the Humanities Center, Bucknell University on “Antifascism, activism and politics of the past after Yugoslavia”; November 13, 2019
Projektna skupina se je udeležila XXXV srečanja Evropskega seminarja etnomuzikologov “Uprizarjanje telesa” (“Performing Bodies”), ki je potekalo v času od 3-7 September 2019, na Oddelku za glasbo, Durham University, UK.
Izledke svojih raziskav so predstavili na skupnem panelu “Sounds, Bodies and Affects in Music Performing and Listening,” ki ga je vodil Martin Stokes, Kings College London.
This roundtable set out to explore whether, when and how music and sound can contribute to practices of (self) care that oppose bodily and mental exhaustion, and structural feelings of social disintegration.
Participants: Marko Kölbl (University of Music and Performing Arts Vienna), Evrim Hikmet Öğüt (Mimar Sinan Fine Arts University), Ana Hofman (Slovenian Academy of Sciences and Arts), Tom Western (University of Oxford)
At one of the suggested topics of the ICTM group for multipart music (23‑27 September 2019, Sarajevo, Bosnia and Herzegovina), which dealt with emotions and aesthetic experiences in music practices, Mojca Kovačič presented a paper titled Emotional and Affective Experiences in Collective Singing , in which she presented the theoretical starting points and methodological challenges for the research of emotions and affect elicited by collective singing.
The international symposium titled “Sounds, Songs, and Politics” took place from 29th to 31st August 2019 in Ljubljana. The symposium is part of the annual international street festival “Nights in the Old Ljubljana Town”.