Affect, music and sound

Atanasovski, Srđan. 2015. “Consequencesof the Affective Turn: Exploring Music Practices from without and within”. Muzikologija18(1): 57–75.

Becker, J. 2004. Deep Listeners: Music, Emotion, and Trancing. Indianapolis: Indiana University Press.

Born, Georgina 2010. “The Social and the Aesthetic: For a Post-Bourdieuian Theory of Cultural Production”. Cultural Sociology 4(2): 171–208.

Born, Georgina. 2011. “Music and the Materialization of Identities”. Journal of Material Culture 16(4):   376–388.

Born, Georgina, Eric Lewis and Will Straw (eds.). 2017. Improvisation and Social Aesthetics. Durham and London: Duke University Press.

Bradshaw, Alan. 2015. “Marxist music studies.” InFocaalBlog, April Accessed: November 24th, 2018.

Bull, Michael and Les Back. 2003. The Auditory Culture Reader. London: Berg.

Cusick, Suzanne. 2008. ‘Musicology, Torture, Repair’. Radical Musicology 3. November 24th, 2018.

Feld, Steven. 1982. Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression. Philadelphia: University of Pennsylvania Press.

Gallagher, Michael. 2016. “Sound asaffect: Difference, power and spatiality”. Emotion,Space

and Society20: 42–48.

Garcia, L.M. 2015. “Beats, flesh, and grain: sonic tactility and affect in electronic dance music,” Sound Studies1 (1): 59-76.

Gill, Denise. 2017. Melancholic Modalities: Affect, Islam, & Turkish Classical Musicians. Oxford: Oxford University Press.

Goodman, Steve. 2010. Sonic Warfare: Sound, Affect and the Ecology of Fear. Massachusetts and London: The MIT Press.

Gray, Ellen Lila. 2013. Fado Resounding: Affective Politics and Urban Life. Durham, NC: Duke University Press.

Grossberg, Lawrence. 1984. ‘Another Boring Day in Paradise: Rock and Roll and the Empowerment of Everyday Life’. Popular Music4: 225-258.

Grossberg, Lawrence. 1992. We Gotta Get Out of This Place: Popular Conservatism and Postmodern Culture. New York: Routledge.

Guilbault, Jocelyne. 2010. “Music, Politics, and Pleasure: Live Soca in Trinidad”. Small Axe: A Caribbean Journal of Criticism14(31): 16–29.

Hesmondhalgh, David. 2013. Why Music Matters. Chichester: Wiley-Blackwell.

Hirschkind, C. 2006.The Ethical Soundscape: Cassette Sermons and Islamic Counterpublics.New York: Columbia University Press.

Hofman, Ana. 2015a. “The Affective Turn in Ethnomusicology.” Muzikologija18 (1): 35–55.

Hofman, Ana. 2015b. “Introduction to the co-edited issue ‘Music, affect and memory politics in post-Yugoslav space’”. Southeastern Europe39 (2): 145–164.

Hofmann, Ana. 2015c. “Music (as) Labour: Professional Musicianship, Affective Labour and Gender in Socialist Yugoslavia”. Ethnomusicology Forum24(1): 28-50.

Hofman, Ana. 2016. Novi život partizanskih pesama[New Lives of Partisan Songs]. Belgrade:  Biblioteka XX.

Hofman, Ana. “Disobedient: activist choirs, radical amateurism, and the politics of the past after Yugoslavia.” Ethnomusicology(forthcoming).

Kanngieser, Anna. 2012. “A sonic geography of voice: Towards an affective politics”. Progress in Human Geography36: 336–353.

Kassabian, Anahid. 2013. Ubiquitous Listening: Affect, Attention, and Distributed Subjectivity.  Berkeley: University of California Press.

Keil, Charles. 1966. “Motion and Feeling through Music”. The Journal of Aesthetics and Art Criticism 24(3): 337–349.

Kozorog, Miha, and Rajko Muršič (eds.). 2017. Sounds of Attraction: Yugoslav and Post-Yugoslav Popular Music. Ljubljana: Znanstvena založba Filozofske fakultete.

Krell, Elias.2013. “Contours through Covers: Voice and Affect in the Musicof Lucas Silveira”. Journal of Popular Music Studies 25(4): 476–503.

LaBelle Brian. 2010. Acoustic Territories: Sound Culture and Everyday Life. New York: Continuum.

LaBelle Brian. 2018. Sonic Agency. Sound and Emergent Forms of Resistance. London: Goldsmiths Press.

McCann, Bryan J. 2013. “Affect, Black Rage, and False Alternatives in the Hip-Hop Nation”. Cultural Studies ↔ Critical Methodologies 13: 408–418.

McElhinny, Bonnie. 2010. “The Audacity of Affect: Gender, Race, and History in Linguistic Accounts of Legitimacy and Belonging,” Annu. Rev. Anthropol.39:309–28.

Meyer, Leonard. 1956. Emotion and Meaning in Music. Chicago: University of Chicago Press.

Moreno, Jairo and Gavin Steingo. 2012. “Rancière’s equal music”. Contemporary Music Review31(5-6): 487–505.

Muršič, Rajko. 2017. “Etnografsko bivajoče in bistvo antropološke vednosti: o mnogoterosti intelektualne ontološke mode in banalnosti vsakdanje resničnosti”. Glasnik Slovenskega etnološkega društva57 (3/4): 27–32.

Ochoa Gautier, AnaMaría. 2014. Aurality: Listening and Knowledge in Nineteenth-Century Colombia. Durham, NC, and London: Duke University Press.

Qureshi Burckhardt, Regula. 2002. Music and Marx: Ideas, practice, politics. London: Routledge.

Ritchey, Marianna. 2017. “‘Amazing Together’: Mason Bates, Classical Music, and Neoliberal Values”. Music and PoliticsXI(2).

Shank, Barry. 2014. The Political Force of Musical Beauty. Durham and London: Duke University Press.

Siddal, G. and Waterman, E. 2016. Negotiated Moments: Improvisation, Sound, and Subjectivity. Durham, NC: Duke University Press

Silverman, Carol. 2011. “Music, Emotion, and the “Other”: Balkan Roma and the Negotiation of Exoticism.” In Interpreting Emotions in Russia and Eastern Europe, ed. Mark Steinberg and Valeria Sobol, 224-247. DeKalb, IL: Northern Illinois University Press.

Steingo, Gavin. 2016. Kwaito’s Promise. Music and the Aesthetics of Freedom in South Africa. Chicago and London: Chicago University Press.

Stokes, Martin. 2010. The Republic of Love. Chicago and London: Chicago University Press.

Tatro, Kelly. 2014. “The Hard Work of Screaming: Physical Exertion and Affective Labor Among Mexico City’s Punk Vocalists”. Ethnomusicology 58(3): 431–453.

Thompson, Marie and Ian Biddle (eds.). 2013. Sound, Music, Affect: Theorizing Sonic Experience.

London, New Delhi, New York, Sydney: Bloomsbury.

Tomlinson, Gary. 2015. A Million Years of Music: The Emergence of Human Modernity. Brooklyn, NY:     Zone Books.

Tomlinson, Gary. 2016. “Sign, Affect, and Musicking before the Human”. boundary2, 43(1): 143–172.

Voegelin, Salomé. 2014. Sonic Possible Worlds: Hearing the Continuum of Sound, New York -London: Bloomsbury.

Waitt, Gordon, Ella Ryan and Carol Farbotko. 2013. “Visceral Politics of Sound”. Antipode 46(1): 283–300.