{"id":817,"date":"2019-11-04T12:33:01","date_gmt":"2019-11-04T12:33:01","guid":{"rendered":"https:\/\/musicaffectpolitics.zrc-sazu.si\/?p=817"},"modified":"2019-11-07T10:54:40","modified_gmt":"2019-11-07T10:54:40","slug":"6th-symposium-of-the-ictm-study-group-on-multipart-music","status":"publish","type":"post","link":"https:\/\/musicaffectpolitics.zrc-sazu.si\/en\/6th-symposium-of-the-ictm-study-group-on-multipart-music\/","title":{"rendered":"6th Symposium of the ICTM Study Group on Multipart Music"},"content":{"rendered":"<p>At one of the suggested topics of the ICTM group for multipart music (23\u201127 September 2019, Sarajevo, Bosnia and Herzegovina), which dealt with emotions and aesthetic experiences in music practices, Mojca Kova\u010di\u010d presented a paper titled Emotional and Affective Experiences in Collective Singing , in which she presented the theoretical starting points and methodological challenges for the research of emotions and affect elicited by collective singing.<\/p>\n<p><strong><a href=\"http:\/\/ictmusic.org\/sites\/default\/files\/Programme%20of%20the%206th%20Symposium%20of%20the%20ICTM%20Study%20Group%20on%20Multipart%20Music%2C%20Sarajevo%202019.pdf\">Program and abstracts<\/a><\/strong><\/p>\n<div id='gallery-1' class='gallery galleryid-817 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/musicaffectpolitics.zrc-sazu.si\/en\/dsc07459-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/musicaffectpolitics.zrc-sazu.si\/wp-content\/uploads\/2019\/11\/DSC07459-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/musicaffectpolitics.zrc-sazu.si\/wp-content\/uploads\/2019\/11\/DSC07459-150x150.jpg 150w, https:\/\/musicaffectpolitics.zrc-sazu.si\/wp-content\/uploads\/2019\/11\/DSC07459-100x100.jpg 100w\" sizes=\"auto, 100vw\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/musicaffectpolitics.zrc-sazu.si\/en\/dsc07460-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/musicaffectpolitics.zrc-sazu.si\/wp-content\/uploads\/2019\/11\/DSC07460-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/musicaffectpolitics.zrc-sazu.si\/wp-content\/uploads\/2019\/11\/DSC07460-150x150.jpg 150w, https:\/\/musicaffectpolitics.zrc-sazu.si\/wp-content\/uploads\/2019\/11\/DSC07460-100x100.jpg 100w\" sizes=\"auto, 100vw\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/musicaffectpolitics.zrc-sazu.si\/en\/dsc07464-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/musicaffectpolitics.zrc-sazu.si\/wp-content\/uploads\/2019\/11\/DSC07464-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/musicaffectpolitics.zrc-sazu.si\/wp-content\/uploads\/2019\/11\/DSC07464-150x150.jpg 150w, https:\/\/musicaffectpolitics.zrc-sazu.si\/wp-content\/uploads\/2019\/11\/DSC07464-100x100.jpg 100w\" sizes=\"auto, 100vw\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p><strong>\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>At one of the suggested topics of the ICTM group for multipart music (23\u201127 September 2019, Sarajevo, Bosnia and Herzegovina), which dealt with emotions and aesthetic experiences in music practices, Mojca Kova\u010di\u010d presented a paper titled Emotional and Affective Experiences in Collective Singing , in which she presented the theoretical starting points and methodological challenges &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/musicaffectpolitics.zrc-sazu.si\/en\/6th-symposium-of-the-ictm-study-group-on-multipart-music\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;6th Symposium of the ICTM Study Group on Multipart Music&#8221;<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[],"class_list":["post-817","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/musicaffectpolitics.zrc-sazu.si\/en\/wp-json\/wp\/v2\/posts\/817","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicaffectpolitics.zrc-sazu.si\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicaffectpolitics.zrc-sazu.si\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicaffectpolitics.zrc-sazu.si\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/musicaffectpolitics.zrc-sazu.si\/en\/wp-json\/wp\/v2\/comments?post=817"}],"version-history":[{"count":2,"href":"https:\/\/musicaffectpolitics.zrc-sazu.si\/en\/wp-json\/wp\/v2\/posts\/817\/revisions"}],"predecessor-version":[{"id":848,"href":"https:\/\/musicaffectpolitics.zrc-sazu.si\/en\/wp-json\/wp\/v2\/posts\/817\/revisions\/848"}],"wp:attachment":[{"href":"https:\/\/musicaffectpolitics.zrc-sazu.si\/en\/wp-json\/wp\/v2\/media?parent=817"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicaffectpolitics.zrc-sazu.si\/en\/wp-json\/wp\/v2\/categories?post=817"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicaffectpolitics.zrc-sazu.si\/en\/wp-json\/wp\/v2\/tags?post=817"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}