{"id":920,"date":"2020-01-29T10:23:34","date_gmt":"2020-01-29T10:23:34","guid":{"rendered":"https:\/\/musicaffectpolitics.zrc-sazu.si\/?page_id=920"},"modified":"2022-02-21T07:43:17","modified_gmt":"2022-02-21T07:43:17","slug":"selected-publications-project-team","status":"publish","type":"page","link":"https:\/\/musicaffectpolitics.zrc-sazu.si\/en\/literature\/selected-publications-project-team\/","title":{"rendered":"Selected publications – project team"},"content":{"rendered":"

Bartulovi\u0107, Alenka, Kozorog, Miha. \u201cMaking music as home-making: Bosnian refugee music and collaboration in Post-Yugoslav Slovenia\u201d [Glasbeno ustvarjanje kot ustvarjanje doma: bosanska begunska glasba in sodelovanje v postjugoslovanski Sloveniji]. Muzikolo\u0161ki zbornik<\/em> 2019, 55(2): 155\u2013170. https:\/\/revije.ff.uni-lj.si\/MuzikoloskiZbornik\/article\/view\/8916\/8774<\/a>, doi: 10.4312\/mz.55.2.155-170<\/a>.<\/p>\n

Bartulovi\u0107, Alenka. \u201cFrom brothers to others?: Changing images of Bosnian Muslims in (post-)Yugoslav Slovenia\u201d. In: \u0160\u00edstek, Franti\u0161ek (ed.). Imagining Bosnian Muslims in Central Europe: Representations, transfers and exchanges<\/em>. New York; Oxford: Berghahn Books. 2021, 194\u2013213.<\/p>\n

Bartulovi\u0107, Alenka. \u201cRepresenting Gavrilo Princip: Tourism, politics and alternative engagements with the memory of the Sarajevo assassination in post-war Bosnia- Herzegovina\u201d. Traditiones: zbornik In\u0161tituta za slovensko narodopisje <\/em>2018, 47(1): 169\u2013191. https:\/\/ojs.zrc-sazu.si\/traditiones\/issue\/view\/615<\/a>, doi:\u00a010.3986\/Traditio2018470109<\/a>.<\/p>\n

Hofman, Ana, Bartulovi\u0107, Alenka, Kova\u010di\u010d, Mojca, Petrovi\u0107, Tanja, Poga\u010dar, Martin. \u201cAfektivni obrat: koncepti, obeti, omejitve.\u201d (Affective turn: concepts, promises, limitations). Glasnik Slovenskega etnolo\u0161kega dru\u0161tva<\/em> 2020, 60(1): 56\u201367.<\/p>\n

Hofman, Ana. \u201c\u2019We are the partisans of our time\u2019: antifascism and post-Yugoslav singing memory activism\u201d. Popular music and society<\/em> 2021, 44 (2): 157\u2013174. Music and the politics of memory: resounding antifascism across borders; https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/03007766.2020.1820782<\/a>, DOI: 10.1080\/03007766.2020.1820782<\/a>.<\/p>\n

Hofman, Ana. \u201cDisobedient: activist choirs, radical amateurism, and the politics of the past after Yugoslavia\u201d. Ethnomusicology<\/em> 64 (1): 2020, 89\u2013109. https:\/\/www.jstor.org\/stable\/10.5406\/ethnomusicology.64.1.0089<\/a><\/p>\n

Hofman, Ana. \u201cGlasba, aktivizem in samoorganizacija na primeru \u2018begunske krize\u2019\u201d.\u00a0[Music, activism and self-organization on the example of “refugee crisis”] In: Pettan, Svanibor (ed.).\u00a0Glasba in etni\u010dne manj\u0161ine: (trans)kulturna dinamika v Sloveniji po letu 1991 [Music and ethnic minorities: (trans)cultural dynamics in Slovenia after the year 1991<\/em>]. Ljubljana: Znanstvena zalo\u017eba Filozofske fakultete, 2021, 209\u2013224.\u00a0https:\/\/e-knjige.ff.uni-lj.si\/znanstvena-zalozba\/catalog\/view\/293\/428\/6517-1<\/a>.<\/p>\n

Hofman, Ana. \u201cIntroduction to music and the politics of memory: resounding antifascism across borders\u201d. A special issue of Popular music and society<\/em> Volume 44 (2): 2021, (with Spinetti, Federico, and Monika Schoop). https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/03007766.2020.1820780<\/a>, DOI: 10.1080\/03007766.2020.1820780.<\/p>\n

Hofman, Ana. \u201cMusic labor, class, and socialist entrepreneurship: Yugoslav self-management revisited\u201d. In: Beard, Danijela \u0160. and Ljerka V.Rasmussen (eds). Made in Yugoslavia: Studies in popular music<\/em>. New York, London: Routledge, 2020, 206\u2013217.<\/p>\n

Hofman, Ana. \u201cNew sincerity and radical idealism in post-Yugoslav memory practices\u201d. In: Pu\u0161nik Maru\u0161a and Oto Luthar (eds). The media of memory<\/em>. Paderborn: F. Sch\u00f6ningh, 2020, 181\u2013193.https:\/\/www.schoeningh.de\/view\/book\/edcoll\/9783657704477\/BP000020.xml<\/a>, DOI: 10.30965\/9783657704477_010<\/a>.<\/p>\n

Hofman, Ana. \u201cthe romance with affect: sonic politics in a time of political exhaustion\u201d. Culture, theory & critique<\/em> 2020, 61(2\u20133): 303\u2013318, https:\/\/www.tandfonline.com\/doi\/abs\/10.1080\/14735784.2020.1848603?journalCode=rctc20<\/a><\/u>, DOI: 10.1080\/14735784.2020.1848603<\/a>.<\/p>\n

Kova\u010di\u010d, Mojca. \u201cKako naj zveni mesto?: religijski in uli\u010dni zvoki Ljubljane med zakonodajo in \u010dlove\u0161kim izkustvom\u201d.Etnolog: glasnik Slovenskega etnografskega muzeja <\/em>2018, 28\/79, 123\u2013140.<\/p>\n

Kova\u010di\u010d, Mojca. \u201c\u2019Kje se kaj za\u010dne in kje se kaj neha?\u2019: razli\u010dni pogledi na manj\u0161insko etni\u010dnost skozi glasbo in ples\u201d. In: Pettan, Svanibor (ed.).\u00a0Glasba in etni\u010dne manj\u0161ine: (trans)kulturna dinamika v Sloveniji po letu 1991[Music and ethnic minorities: (trans)cultural dynamics in Slovenia after the year 1991]<\/em>. Ljubljana: Znanstvena zalo\u017eba Filozofske fakultete, 2021, 43\u201363.<\/p>\n

Kova\u010di\u010d, Mojca. \u201cCreating atmospheric coherence through commemorative rituals, singing partisan songs, and rehearsed affect\u201d. Narodna umjetnost: hrvatski \u010dasopis za etnologiju i folkloristiku<\/em> 2021, 58(2): 69\u201387.<\/p>\n

Kova\u010di\u010d, Mojca. \u201cEducOpera in Slovenia: compretence and artistic approach through the creation of opera by youngsters and for youngsters\u201d. In: Kova\u010di\u010d, Mojca (ed.), et al. EducOpera: an education to opera as a method of reducing early school leaving<\/em>. Massy: Op\u00e9ra de Massy, 2019, 86\u201397.<\/p>\n

Kova\u010di\u010d, Mojca. \u201cIdentifications through musical expressions of Africanness in Slovenia = Identifikacije skozi glasbeno izra\u017eanje afri\u0161kosti v Sloveniji\u201d. Muzikolo\u0161ki zbornik<\/em> 2019, 55(2): 65\u201378.<\/p>\n

Kova\u010di\u010d, Mojca. \u201cRastemo z opero: neformalno glasbeno izobra\u017eevanje mladostnikov in razvoj kompetenc\u201d. In: Rotar Pance, Branka (ed.). Mostovi med formalnim in neformalnim glasbenim izobra\u017eevanjem: tematska \u0161tevilka = thematic issue<\/em>. Ljubljana: Akademija za glasbo, Oddelek za glasbeno pedagogiko, 2019, 31, 133\u2013144.<\/p>\n

Mur\u0161i\u010d, Rajko. \u201cAmisim\u00edes sti diam\u00f3rf\u00f5si tis taut\u00f3titas kai tis eter\u00f3titas ap\u00f3 tin optik\u00ed tis pop kult\u00faras: orism\u00e9na paradigmata ap\u00f3 tin pr\u00f5in Jugoslavija\u201d. In: Nitsiakos, Vasiles G. (ed.).\u00a0Ta pollapla synora enos metavallomenoj kosmoj: theoretik\u00e9s prosengiseis kai ethnografik\u00e9s dokim\u00e9s sti Notioanatolik\u00ed Eur\u00f3pi<\/em>. Atene: Kritiki, 2018, 123\u2013139.<\/p>\n

Mur\u0161i\u010d, Rajko. \u201cOdsotnost \u017eivega do\u017eivljanja glasbe in vzpon brezumja\u201d. In: Odzven: spletna revija o glasbi<\/em>. Ljubljana: SIGIC \u2013 Slovenski glasbenoinformacijski center, 2021, http:\/\/www.sigic.si\/odsotnost-zivega-dozivljanja-glasbe-in-vzpon-brezumja.html<\/a>.<\/p>\n

Mur\u0161i\u010d, Rajko. \u201cSamoniklost glasbene zvedavosti: mariborska izku\u0161nja\u201d. In: Bremec, Gojko (ed.), Bogataj, Boris (ed.). Zgodba o KLG: [zbornik]<\/em>. Kranj: Layerjeva zalo\u017eba, 2020, 126\u2013129.<\/p>\n

Petrovi\u0107, Tanja, Hofman, Ana. \u201cRethinking class in socialist Yugoslavia : labor, body, and moral economy\u201d. In: Jela\u010da, Dijana (ur.).\u00a0The Cultural Life of Capitalism in Yugoslavia : (post)socialism and its Other<\/em>. Basingstoke: Palgrave Macmillan. 2017, 61\u201380, ilustr., doi:\u00a010.1007\/978-3-319-47482-3_4<\/a>.<\/p>\n

Petrovi\u0107, Tanja. \u201cRokeri s Moravu and the politics of parody in socialist Yugoslavia\u201d. In: Kozorog, Miha, Mur\u0161i\u010d, Rajko (eds.).\u00a0Sounds of attraction: Yugoslav and post-Yugoslav popular music<\/em>. Ljubljana: Znanstvena zalo\u017eba Filozofske fakultete. 2017, 99\u2013113.<\/p>\n

Petrovi\u0107, Tanja. \u201cZa\u0161to je nostalgija va\u017ena?: emocije i politi\u010dka subjektivnost posle socijalizma\u201d. In: Molvarec, Lana, Pi\u0161kovi\u0107, Tatjana (eds.).\u00a0Emocije u hrvatskome jeziku, knji\u017eevnosti i kulturi: zbornik radova 48. seminara Zagreba\u010dke slavisti\u010dke \u0161kole<\/em>. Zagreb: Filozofski fakultet: Zagreba\u010dka slavisti\u010dka \u0161kola. 2020, 129\u2013142.<\/p>\n

Pettan, Svanibor (ed.), Titon, Jeff Todd (ed.). An Oxford handbook of applied ethnomusicology. Vol. 1, Theory, method, sustainability, and conflict<\/em>. New York: Oxford University Press, 2019.<\/p>\n

Pettan, Svanibor (ed.), Titon, Jeff Todd (ed.). An Oxford handbook of applied ethnomusicology. Vol. 2, De-colonization, heritage, and advocacy<\/em>. New York: Oxford University Press, 2019.<\/p>\n

Pettan, Svanibor (ed.), Titon, Jeff Todd (ed.). An Oxford handbook of applied ethnomusicology. Vol. 3, Public ethnomusicology, education, archives, and commerce<\/em>. New York: Oxford University Press, 2019.<\/p>\n

Pettan, Svanibor (ed.). Glasba in etni\u010dne manj\u0161ine: (trans)kulturna dinamika v Sloveniji po letu 1991 [Music and ethnic minorities: (trans)cultural dynamics in Slovenia after the year 1991]<\/em>. Ljubljana: Znanstvena zalo\u017eba Filozofske fakultete, 2021. https:\/\/e-knjige.ff.uni-lj.si\/znanstvena-zalozba\/catalog\/view\/293\/428\/6514-1<\/a>, DOI: 10.4312\/9789610604624<\/a>.<\/p>\n

Pettan, Svanibor, Kalinga Dona, Lasanthi Manaranjanie. \u201cEthnomusicology of the individual: Vishnuchittan Balaji between tradition and innovativeness [Etnomuzikologija posameznika: Vishnuchittan Balaji med tradicijo in inovativnostjo\u201d]. Muzikolo\u0161ki zbornik<\/em> 2018, 54(1): 107\u2013122. http:\/\/muzikologija.ff.uni-lj.si\/publikacije\/muzikoloski-zbornik\/<\/a>.<\/p>\n

Pettan, Svanibor. \u201cApplied ethnomusicology in the global arena\u201d. In: Pettan, Svanibor (ed.), TITON, Jeff Todd (ed.). An Oxford handbook of applied ethnomusicology. Vol. 1, Theory, method, sustainability, and conflict<\/em>. New York: Oxford University Press, 2019, 30\u201356.<\/p>\n

Pettan, Svanibor. \u201cGlasba, etni\u010dne manj\u0161ine in (trans)kulturna dinamika v Sloveniji po letu 1991: raziskovalne smeri in razse\u017enosti\u201d. In: Pettan, Svanibor (ed.). Glasba in etni\u010dne manj\u0161ine: (trans)kulturna dinamika v Sloveniji po letu 1991 [Music and ethnic minorities: (trans)cultural dynamics in Slovenia after the year 1991]<\/em>. Ljubljana: Znanstvena zalo\u017eba Filozofske fakultete, 2021, 7\u201326.<\/p>\n

Pettan, Svanibor. \u201cSounds of minorities in national contexts: ten research models\u201d [Zvoki manj\u0161in v nacionalnih okoljih: deset raziskovalnih modelov]. Muzikolo\u0161ki zbornik<\/em> 2019, 55(2): 41\u201364. https:\/\/revije.ff.uni-lj.si\/MuzikoloskiZbornik\/article\/view\/8910\/8769<\/a>, DOI: 10.4312\/mz.55.2.41-64<\/a>.<\/p>\n

Poga\u010dar, Martin. \u201cSandcastles in sound: memory and popular music on the shores of oblivion\u201d. Continental thought & theory: a journal of intellectual freedom<\/em>, December 2021, 3(3): 164\u2013186. https:\/\/ir.canterbury.ac.nz\/bitstream\/handle\/10092\/103098\/12%20Pogacar.pdf?sequence=1&isAllowed=y<\/a>, doi: 10.26021\/12232<\/a>.<\/p>\n

Ven\u00e4l\u00e4inen, Juhana, P\u00f6ll\u00e4nen, Sonja, Mur\u0161i\u010d, Rajko. \u201cThe street\u201d. In: Schulze, Holger (ed.).\u00a0The Bloomsbury handbook of the anthropology of sound<\/em>. New York [etc.]: Bloomsbury Academic, 2021. 225\u2013239. DOI: 10.5040\/9781501335402.ch-016<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Bartulovi\u0107, Alenka, Kozorog, Miha. \u201cMaking music as home-making: Bosnian refugee music and collaboration in Post-Yugoslav Slovenia\u201d [Glasbeno ustvarjanje kot ustvarjanje doma: bosanska begunska glasba in sodelovanje v postjugoslovanski Sloveniji]. Muzikolo\u0161ki zbornik 2019, 55(2): 155\u2013170. https:\/\/revije.ff.uni-lj.si\/MuzikoloskiZbornik\/article\/view\/8916\/8774, doi: 10.4312\/mz.55.2.155-170. Bartulovi\u0107, Alenka. \u201cFrom brothers to others?: Changing images of Bosnian Muslims in (post-)Yugoslav Slovenia\u201d. In: \u0160\u00edstek, Franti\u0161ek (ed.). … <\/p>\n

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