{"id":710,"date":"2019-03-27T15:55:30","date_gmt":"2019-03-27T15:55:30","guid":{"rendered":"https:\/\/musicaffectpolitics.zrc-sazu.si\/?page_id=710"},"modified":"2019-03-27T16:00:16","modified_gmt":"2019-03-27T16:00:16","slug":"affect-music-and-sound","status":"publish","type":"page","link":"https:\/\/musicaffectpolitics.zrc-sazu.si\/en\/affect-music-and-sound\/","title":{"rendered":"Affect, music and sound"},"content":{"rendered":"

Atanasovski, Sr\u0111an. 2015. \u201cConsequencesof the Affective Turn: Exploring Music Practices from without and within\u201d. Muzikologija<\/em>18(1): 57\u201375.<\/p>\n

Becker, J. 2004. Deep Listeners: Music, Emotion, and Trancing<\/em>. Indianapolis: Indiana University Press.<\/p>\n

Born, Georgina 2010. \u201cThe Social and the Aesthetic: For a Post-Bourdieuian Theory of Cultural Production\u201d. Cultural Sociology <\/em>4(2): 171\u2013208.<\/p>\n

Born, Georgina. 2011. \u201cMusic and the Materialization of Identities\u201d. Journal of Material Culture <\/em>16(4): \u00a0 376\u2013388.<\/p>\n

Born, Georgina, Eric Lewis and Will Straw (eds.). 2017. Improvisation and Social Aesthetics<\/em>. Durham and London: Duke University Press.<\/p>\n

Bradshaw, Alan. 2015. \u201cMarxist music studies.\u201d InFocaalBlog<\/em>, April 14th<\/sup>2015.<\/em>www.focaalblog.com\/2015\/04\/14\/alan-bradshaw-marxist-music-studies<\/a>. Accessed: November 24th<\/sup>, 2018.<\/p>\n

Bull, Michael and Les Back. 2003. The Auditory Culture Reader<\/em>. London: Berg.<\/p>\n

Cusick, Suzanne. 2008. \u2018Musicology, Torture, Repair\u2019. Radical Musicology 3. http:\/\/www.radical-musicology.org.uk\/2008\/Cusick.htm<\/a>.Accessed: November 24th<\/sup>, 2018.<\/p>\n

Feld, Steven. 1982. Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression<\/em>. Philadelphia: University of Pennsylvania Press.<\/p>\n

Gallagher, Michael. 2016. \u201cSound asaffect: Difference, power and spatiality\u201d. Emotion<\/em>,Space <\/em><\/p>\n

and <\/em>Society<\/em>20: 42\u201348. https:\/\/doi.org\/10.1016\/j.emospa.2016.02.004<\/a><\/p>\n

Garcia, L.M. 2015. \u201cBeats, flesh, and grain: sonic tactility and affect in electronic dance music,\u201d Sound Studies<\/em>1 (1): 59-76.<\/p>\n

Gill, Denise. 2017. Melancholic Modalities: Affect, Islam, & Turkish Classical Musicians<\/em>. Oxford: Oxford University Press.<\/p>\n

Goodman, Steve. 2010. Sonic Warfare<\/em>: Sound, Affect and the Ecology of Fear<\/em>. Massachusetts and London: The MIT Press.<\/p>\n

Gray, Ellen Lila. 2013. Fado Resounding: Affective Politics and Urban Life<\/em>. Durham, NC: Duke University Press.<\/p>\n

Grossberg, Lawrence. 1984. \u2018Another Boring Day in Paradise: Rock and Roll and the Empowerment of Everyday Life\u2019. Popular Music<\/em>4: 225-258.<\/p>\n

Grossberg, Lawrence. 1992. We Gotta Get Out of This Place: Popular Conservatism and Postmodern Culture<\/em>. New York: Routledge.<\/p>\n

Guilbault, Jocelyne. 2010. \u201cMusic, Politics, and Pleasure: Live Soca in Trinidad\u201d. Small Axe: A Caribbean Journal of Criticism<\/em>14(31): 16\u201329.<\/p>\n

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Hirschkind, C. 2006.The Ethical Soundscape: Cassette Sermons and Islamic Counterpublics<\/em>.New York: Columbia University Press.<\/p>\n

Hofman, Ana. 2015a. \u201cThe Affective Turn in Ethnomusicology.\u201d Muzikologija<\/em>18 (1): 35\u201355.<\/p>\n

Hofman, Ana. 2015b. \u201cIntroduction to the co-edited issue \u2018Music, affect and memory politics in post-Yugoslav space\u2019\u201d. Southeastern Europe<\/em>39 (2): 145\u2013164.<\/p>\n

Hofmann, Ana. 2015c. \u201cMusic (as) Labour: Professional Musicianship, Affective Labour and Gender in Socialist Yugoslavia\u201d. Ethnomusicology Forum<\/em>24(1): 28-50.<\/p>\n

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Hofman, Ana. \u201cDisobedient<\/em>: activist choirs, radical amateurism, and the politics of the past after Yugoslavia.\u201d Ethnomusicology<\/em>(forthcoming).<\/p>\n

Kanngieser, Anna. 2012. \u201cA sonic geography of voice: Towards an affective politics\u201d. Progress in Human Geography<\/em>36: 336\u2013353.https:\/\/doi.org\/10.1177\/0309132511423969<\/a><\/p>\n

Kassabian, Anahid. 2013. Ubiquitous Listening: Affect, Attention, and Distributed Subjectivity<\/em>. \u00a0Berkeley: University of California Press.<\/p>\n

Keil, Charles. 1966. \u201cMotion and Feeling through Music\u201d. The Journal of Aesthetics and Art Criticism <\/em>24(3): 337\u2013349.<\/p>\n

Kozorog, Miha, and Rajko Mur\u0161i\u010d (eds.). 2017. Sounds of Attraction: Yugoslav and Post-Yugoslav Popular Music<\/em>. Ljubljana: Znanstvena zalo\u017eba Filozofske fakultete.<\/p>\n

Krell, Elias.2013. \u201cContours through Covers: Voice and Affect in the Musicof Lucas Silveira\u201d. Journal of Popular Music Studies <\/em>25(4): 476\u2013503.<\/p>\n

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Meyer, Leonard. 1956. Emotion and Meaning in Music<\/em>. Chicago: University of Chicago Press.<\/p>\n

Moreno, Jairo and Gavin Steingo. 2012. \u201cRanci\u00e8re\u2019s equal music\u201d. Contemporary Music Review<\/em>31(5-6): 487\u2013505. https:\/\/doi.org\/10.1080\/07494467.2012.759415<\/a><\/p>\n

Mur\u0161i\u010d, Rajko. 2017. \u201cEtnografsko bivajo\u010de in bistvo antropolo\u0161ke vednosti: o mnogoterosti intelektualne ontolo\u0161ke mode in banalnosti vsakdanje resni\u010dnosti\u201d.\u00a0Glasnik Slovenskega etnolo\u0161kega dru\u0161tva<\/em>57 (3\/4): 27\u201332.<\/p>\n

Ochoa Gautier, AnaMar\u00eda. 2014. Aurality<\/em>: Listening and Knowledge in Nineteenth-Century Colombia<\/em>. Durham, NC, and London: Duke University Press.<\/p>\n

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Siddal, G. and Waterman, E. 2016. Negotiated Moments: Improvisation, Sound, and Subjectivity<\/em>. Durham, NC: Duke University Press<\/p>\n

Silverman, Carol. 2011. \u201cMusic, Emotion, and the \u201cOther\u201d: Balkan Roma and the Negotiation of Exoticism.\u201d In Interpreting Emotions in Russia and Eastern Europe<\/em>, ed. Mark Steinberg and Valeria Sobol, 224-247. DeKalb, IL: Northern Illinois University Press.<\/p>\n

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Stokes, Martin. 2010. The Republic of Love<\/em>. Chicago and London: Chicago University Press.<\/p>\n

Tatro, Kelly. 2014. \u201cThe Hard Work of Screaming: Physical Exertion and Affective Labor Among Mexico City\u2019s Punk Vocalists\u201d. Ethnomusicology <\/em>58(3): 431\u2013453.<\/p>\n

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London, New Delhi, New York, Sydney: Bloomsbury.<\/p>\n

Tomlinson, Gary. 2015. A Million Years of Music: The Emergence of Human Modernity<\/em>. Brooklyn, NY: \u00a0\u00a0\u00a0 Zone Books.<\/p>\n

Tomlinson, Gary. 2016. \u201cSign, Affect, and Musicking before the Human\u201d. boundary<\/em>2, 43(1): 143\u2013172.<\/p>\n

Voegelin, Salom\u00e9. 2014. Sonic Possible Worlds: Hearing the Continuum of Sound<\/em>, New York -London: Bloomsbury.<\/p>\n

Waitt, Gordon, Ella Ryan and Carol Farbotko. 2013. \u201cVisceral Politics of Sound\u201d. Antipode <\/em>46(1): 283\u2013300.<\/p>\n","protected":false},"excerpt":{"rendered":"

Atanasovski, Sr\u0111an. 2015. \u201cConsequencesof the Affective Turn: Exploring Music Practices from without and within\u201d. Muzikologija18(1): 57\u201375. Becker, J. 2004. Deep Listeners: Music, Emotion, and Trancing. Indianapolis: Indiana University Press. Born, Georgina 2010. \u201cThe Social and the Aesthetic: For a Post-Bourdieuian Theory of Cultural Production\u201d. Cultural Sociology 4(2): 171\u2013208. Born, Georgina. 2011. \u201cMusic and the Materialization … <\/p>\n

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